2 Comments

  1. michael horan

    Most important message? #1. Everyone on this side of the fence pretty much gets the rest–or is getting it. Missing? The personal stories. GMG is a case in point–look back over the writing on here, and you’ll find dry-as-dust statements from “The Party,” about as rewarding–and clearly about as effective–reading as something outta Comintern (god help me, I’ve drafted a few and my name’s on any number); lotsa very serious, very earnest theory; and plenty of vitriol.

    But what’s missing are stories. Candidate Laugenour gets it–I know where’s he’s from, I know about some of the folks he meets and with whom he talks–the real people of the Berks, not the disembodied theorists. But from all the rest, ranging from regular commentators to Party leadership? They might be ghosts for all I know, disembodied intellects who aren’t rooted in a place, have no relationships, have no apparent stake in outcomes, don’t have kids, or debilated relations, or animals, or all the other relationships and responsibilities that tend to temper wanton idealism but who also make it clear, on a VISCERAL level, why the case you and Jeff here IS a case for the common good.

    Now, I know for a fact that ain’t the case–but you’d never know it reading their material. But you would certainly know ift if you read Naomi Klein, who starts The Shock Doctrine with a personal account of standing inside the SuperDome after Katrine; Robert Fisk, whose enormous magnum opus The Great War for Civilization is told entirely in the first person; Boston’s own James Carroll, who’s riveting account of the growth of the military-industrial complex, House of War, is at the same time a deeply personal and affecting autobiography; Bill McKibben, whose Deep Economy brims over with tales of his New England neighbors; Michael Pollan, the god of the sustinable food movement, whose bestslling Omnivore’s Dilemma is an absolutely delightful account of eating four meals, and who manages to make a 100-page analysis of CORN un-put-downable; Matt Taibbi, who wears his heart on his sleeve with every sentence he writes … and etc.

    There’s a reason why people attend to writers like these. And there’s a very real reason why they attend to the author of Dreams of My Father and The Audacity of Hope, and, for that matter,  the author of Faith of Our Fathers–along with his erstwhile running mate, that halfwit from Wasilla.

    People are willing to listen to ideas, but they have to be draped with flesh and blood. Tell your story right, and you’ll even get a notice in the mainstream media.    

    I’d suggest that GMG is a good place to start practicing narrative. Then maybe allow it to trickle into your material elsewhere. Be a warm-blooded human being. And if you can’t bring yourself to tell your own stories, talk about the hurting people you know in Central Square and Pittsfield and Lexington (Okay, maybe Lexington’s not such a hot idea, but you get the idea).  

  2. Patrick Burke

    I don’t know if I ever stressed to you Michael that my college experience was philosophy/social theory.  And my primary motivation for posting here has been selfish, clarifying my own thought rather than storytelling and conveying a message in the most compelling way possible.  Its my default to get excited with intellectual arguments and debates.  

    However I have been a broken record to stress that this reflection is separate from doing politics and organizing.  I do most of my outreach face to face and I don’t sound at all like I do when I’m in theory mode. When I was canvassing one night with a prospective hire and philosophy major I said “Forget everything you learned about rhetoric/logic, just be personable and feel folks out”.  Well the advice didn’t save him that night, but at least I got one story I could use for this occasion.

    I could use practice honing my writing in general, a few years ago I was more the creative writing type, lots of poetry, SLAM readings, trying my hand at short stories. Reading Kant, Habermas, and lots of poltico-theoretical tracks will reorient your aesthetic categories a tad (heh, bad joke).

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